{"id":1528,"date":"2025-09-09T11:09:47","date_gmt":"2025-09-09T11:09:47","guid":{"rendered":"https:\/\/dreamwaydesign.online\/?page_id=1528"},"modified":"2025-11-19T09:20:59","modified_gmt":"2025-11-19T09:20:59","slug":"3rd-floor","status":"publish","type":"page","link":"https:\/\/www.ritussultanahmet.com\/tr\/art-collection\/3rd-floor\/","title":{"rendered":"3. Kat"},"content":{"rendered":"
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3. Kat<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Kad\u0131n Portreleri, Rit\u00fceller, Nargile K\u00fclt\u00fcr\u00fc<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Osmanl\u0131 Yelpazesi<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Osmanl\u0131 Nargile<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Osmanl\u0131 Prensesleri<\/a><\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Osmanl\u0131 Saray\u0131nda Kad\u0131n Portreleri, Rit\u00fceller, Nargile K\u00fclt\u00fcr\u00fc ve Yelpazenin Zarafeti<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Osmanl\u0131 saray\u0131, zarafet ve sembolizmin i\u00e7 i\u00e7e ge\u00e7ti\u011fi bir mek\u00e2n i\u015flevi g\u00f6r\u00fcyordu. Saray kad\u0131nlar\u0131 yaln\u0131zca kraliyet ailesinin \u00fcyeleri de\u011fil, ayn\u0131 zamanda estetik duyarl\u0131l\u0131\u011f\u0131n, incelikli tav\u0131rlar\u0131n ve k\u00fclt\u00fcrel geli\u015fmi\u015fli\u011fin de ta\u015f\u0131y\u0131c\u0131lar\u0131yd\u0131. Portrelerdeki duru\u015flar\u0131, k\u0131yafetleri ve bak\u0131\u015flar\u0131, asaleti, sosyal stat\u00fcy\u00fc ve i\u00e7 disiplini yans\u0131tan g\u00f6rsel manifestolar i\u015flevi g\u00f6r\u00fcyordu.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Eserin \u0130ngilizcesini dinleyin.<\/p>

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Eseri T\u00fcrk\u00e7e dinleyin.<\/p>

https:\/\/www.ritussultanahmet.com\/wp-content\/uploads\/2025\/11\/TR_3.-KAT-Giris_Muzikli.mp3<\/a><\/audio><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Devam\u0131n\u0131 oku<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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G\u00fcnl\u00fck rit\u00fcellerde sadelik ve zarafet uyum i\u00e7inde bir arada bulunurdu. \u00d6zellikle nargile, saray kad\u0131nlar\u0131n\u0131n sosyal ya\u015famlar\u0131nda yaln\u0131zca bir sigara i\u00e7me arac\u0131 de\u011fil, ayn\u0131 zamanda bir sohbet arac\u0131 ve bir incelik rit\u00fceliydi. Sessizce yay\u0131lan duman, zaman\u0131n yava\u015flad\u0131\u011f\u0131 ve bak\u0131\u015flar\u0131n s\u00f6zlerin yerini ald\u0131\u011f\u0131 anlara e\u015flik ederdi.<\/p>

Osmanl\u0131 d\u00f6neminde nargile k\u00fclt\u00fcr\u00fc, bir i\u00e7im al\u0131\u015fkanl\u0131\u011f\u0131ndan \u00e7ok daha fazlas\u0131yd\u0131; estetik bir b\u00fct\u00fcn\u00fcn par\u00e7as\u0131yd\u0131. Hazne, hortum ve taban gibi her bir bile\u015fen \u00f6zenle i\u015flenir, genellikle cam ve g\u00fcm\u00fc\u015f s\u00fcslemelerle s\u00fcslenir ve zanaatk\u00e2rl\u0131k de\u011ferini ortaya koyard\u0131. T\u00fct\u00fcn\u00fcn kalitesi kadar, onu sunan ki\u015finin zarafeti ve tavr\u0131 da ayn\u0131 derecede \u00f6nemliydi. Haremin ipek \u00f6rt\u00fcl\u00fc odalar\u0131nda veya i\u00e7 bah\u00e7elerinde sessizce payla\u015f\u0131lan nargile, g\u00fcveni, dostlu\u011fu ve zarafeti peki\u015ftiren sessiz bir rit\u00fcele d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fc.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Vantilat\u00f6r hem i\u015flevsel hem de sembolikti. Serinletme gibi pratik bir amac\u0131n\u0131n yan\u0131 s\u0131ra, beden dilini ustaca y\u00f6nlendiriyor ve gizemli bir ileti\u015fim bi\u00e7imini kolayla\u015ft\u0131r\u0131yordu. \u0130nce kuma\u015flarla kapl\u0131 ve i\u015flemelerle s\u00fcslenmi\u015f bu yelpazeler, kad\u0131nl\u0131\u011f\u0131, zarafeti ve sosyal mesafeyi sessizce ama g\u00fc\u00e7l\u00fc bir \u015fekilde iletiyordu.<\/p>

T\u00fcm bu unsurlar, Osmanl\u0131 saray\u0131nda kad\u0131nlar\u0131n yaln\u0131zca g\u00f6r\u00fcn\u00fcr fig\u00fcrler de\u011fil, estetikle b\u00fct\u00fcnle\u015fmi\u015f bir kimli\u011fin temsilcileri oldu\u011funu ortaya koymaktad\u0131r. G\u00fczellik tav\u0131rla, g\u00fc\u00e7 ise zarafetle tamamlan\u0131yor.<\/p>

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Osmanl\u0131 Prensesleri<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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\"Han\u0131m Sultan\" unvan\u0131yla bilinen Osmanl\u0131 prensesleri, padi\u015fahlar\u0131n k\u0131zlar\u0131 ve torunlar\u0131yd\u0131. Do\u011fumlar\u0131ndan itibaren ayr\u0131cal\u0131kl\u0131 bir e\u011fitim al\u0131r ve imparatorluk saray\u0131n\u0131n se\u00e7kin ortam\u0131nda yeti\u015ftirilirlerdi. G\u00fczellik, zarafet, e\u011fitim ve siyaset bilgisi, onlar\u0131 tan\u0131mlayan \u00f6zellikler aras\u0131ndayd\u0131.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Eserin \u0130ngilizcesini dinleyin.<\/p>

Eseri T\u00fcrk\u00e7e dinleyin.<\/p>

https:\/\/www.ritussultanahmet.com\/wp-content\/uploads\/2025\/11\/Osmanli-Prensesleri_TR_Muzik.mp3<\/a><\/audio><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Devam\u0131n\u0131 oku<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Kuran, edebiyat, hat, m\u00fczik, yabanc\u0131 diller ve Osmanl\u0131 saray\u0131n\u0131n g\u00f6rg\u00fc kurallar\u0131 konusunda e\u011fitim alm\u0131\u015flard\u0131r. Klasik Osmanl\u0131 \u015fiirine tutkusu olan bir\u00e7ok prenses \u015fiirler ve mektuplar yazm\u0131\u015flard\u0131r. Devlet y\u00f6netimine do\u011frudan kat\u0131lmasalar da, genellikle babalar\u0131, erkek karde\u015fleri veya kocalar\u0131 arac\u0131l\u0131\u011f\u0131yla saray siyasetini dolayl\u0131 olarak etkilerlerdi. \u00d6zellikle valide sultan (ana veliaht) veya sadrazamlarla yak\u0131n ba\u011flar\u0131 olanlar \u00f6nemli siyasi n\u00fcfuza sahip olabiliyorlard\u0131.<\/p>

Evlilik ve Diplomasi: Osmanl\u0131 prensesleri genellikle y\u00fcksek r\u00fctbeli pa\u015falar, sadrazamlar veya vilayet valileriyle evlenirdi. Bu evlilikler stratejikti ve siyasi ittifaklar\u0131 g\u00fc\u00e7lendirmeyi ve sadakati sa\u011flamay\u0131 ama\u00e7l\u0131yordu. Evlendikten sonra, ya\u015fad\u0131klar\u0131 saraylarda genellikle \u00f6nemli bir n\u00fcfuza sahip olurlard\u0131. Bir\u00e7ok prenses ayn\u0131 zamanda hay\u0131rseverlikleriyle de tan\u0131n\u0131rd\u0131 ve hay\u0131r kurumlar\u0131 kurarlard\u0131 (vak\u0131flar). Camiler, medreseler, \u00e7e\u015fmeler ve hastaneler yapt\u0131rm\u0131\u015flard\u0131r. Mihrimah Sultan, Fatma Sultan ve Esma Sultan gibi \u015fahsiyetler, yapt\u0131klar\u0131 \u00f6nemli hay\u0131r i\u015fleriyle an\u0131lmaktad\u0131r.<\/p>

Moda ve Stil: Osmanl\u0131 prensesleri zarif kaftanlar, ipek giysiler ve de\u011ferli ta\u015flarla s\u00fcsl\u00fc tak\u0131lar giyerlerdi; bunlar sarayda moda ve sanatta trendleri belirlerdi.<\/p>

Osmanl\u0131 prensesleri do\u011frudan y\u00f6netimde yer almasalar da k\u00fclt\u00fcrel, diplomatik ve sosyal hayatta \u00f6nemli roller \u00fcstlenmi\u015fler ve Osmanl\u0131 toplumu \u00fczerinde kal\u0131c\u0131 etkiler b\u0131rakm\u0131\u015flard\u0131r.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Osmanl\u0131 Nargile<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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T\u00fct\u00fcn, Amerika k\u0131tas\u0131n\u0131n ke\u015ffinden yakla\u015f\u0131k 110 y\u0131l sonra, 1601-1602 y\u0131llar\u0131 civar\u0131nda Osmanl\u0131 \u0130mparatorlu\u011fu'na girdi. Ba\u015flang\u0131\u00e7ta yaln\u0131zca ithal t\u00fct\u00fcn vergilendiriliyordu; ancak t\u00fct\u00fcn kullananlar\u0131n say\u0131s\u0131 artt\u0131k\u00e7a baz\u0131 din \u00e2limleri t\u00fct\u00fcn t\u00fcketimine kar\u015f\u0131 fetvalar yay\u0131nlad\u0131. T\u00fct\u00fcn yasaklar\u0131 Sultan I. Ahmed d\u00f6neminde y\u00fcr\u00fcrl\u00fc\u011fe girmi\u015f, ancak daha sonra Sultan I. Mustafa ve II. Osman d\u00f6nemlerinde gev\u015fetilmi\u015ftir.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Eserin \u0130ngilizcesini dinleyin.<\/p>

Eseri T\u00fcrk\u00e7e dinleyin.<\/p>

https:\/\/www.ritussultanahmet.com\/wp-content\/uploads\/2025\/11\/Osmanli-Nargile_TR-1.mp3<\/a><\/audio><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Devam\u0131n\u0131 oku<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tOsmanl\u0131 d\u00f6neminde t\u00fct\u00fcn kullan\u0131m\u0131 en \u00e7ok nargile arac\u0131l\u0131\u011f\u0131yla yayg\u0131nla\u015ft\u0131. T\u00fct\u00fcn ve nargile, insanlar\u0131n k\u00fclt\u00fcrel konularda sohbet etmek i\u00e7in bir araya geldi\u011fi \u00f6nemli sosyal mekanlara d\u00f6n\u00fc\u015fen kahvehanelerin temel unsurlar\u0131 haline geldi. Bu mekanlar ayn\u0131 zamanda devlet politikalar\u0131n\u0131n ele\u015ftirildi\u011fi yerler haline geldik\u00e7e, t\u00fct\u00fcn t\u00fcketimi ge\u00e7ici olarak yasakland\u0131; ancak k\u0131s\u0131tlamalar k\u0131sa s\u00fcrede kald\u0131r\u0131ld\u0131. Nargilenin kesin k\u00f6keni hen\u00fcz bilinmemekle birlikte, ilk olarak Hindistan alt k\u0131tas\u0131nda ortaya \u00e7\u0131kt\u0131\u011f\u0131na inan\u0131l\u0131yor. T\u00fct\u00fcn\u00fcn yayg\u0131nla\u015fmas\u0131ndan \u00f6nce, nargilelerde \u00e7e\u015fitli otlar i\u00e7iliyordu ve t\u00fct\u00fcn kullan\u0131m\u0131 yayg\u0131nla\u015ft\u0131k\u00e7a bu pop\u00fclerlik kazand\u0131.\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Osmanl\u0131 Yelpazesi<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Osmanl\u0131 \u0130mparatorlu\u011fu'nda m\u00fczeyyen (s\u00fcsl\u00fc) ve murassa (m\u00fccevherli) yelpazeler, zarafetin, prestijin ve m\u00fckemmel i\u015f\u00e7ili\u011fin zarif sembolleriydi. Usta i\u015fi mine i\u015f\u00e7ili\u011fiyle s\u00fcslenen bu yelpazeler, genellikle g\u00fcm\u00fc\u015ften yap\u0131l\u0131r ve de\u011ferli veya yar\u0131 de\u011ferli ta\u015flarla s\u00fcslenirdi. Yelpaze b\u00f6l\u00fcmleri genellikle deveku\u015fu t\u00fcylerinden yap\u0131l\u0131r ve ortalar\u0131nda s\u00fcsl\u00fc motifler bulunurdu.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Eserin \u0130ngilizcesini dinleyin.<\/p>

Eseri T\u00fcrk\u00e7e dinleyin.<\/p>

https:\/\/www.ritussultanahmet.com\/wp-content\/uploads\/2025\/11\/Osmanli-Yelpazesi_ENG_Music-1.mp3<\/a><\/audio><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Devam\u0131n\u0131 oku<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Yelpaze yap\u0131m sanat\u0131, erken Osmanl\u0131 d\u00f6neminde ortaya \u00e7\u0131km\u0131\u015ft\u0131r. \u00dcnl\u00fc ustalar aras\u0131nda Kas\u0131mpa\u015fal\u0131 A'rec (Topal) \u00d6m\u00fcr Usta, Hazerfen Ali Efendi ve M\u00fcezzinzade Salih Efendi yer al\u0131r. Tarihi kaynaklara g\u00f6re, Osmanl\u0131 k\u00fclt\u00fcr\u00fcnde d\u00f6rt ana yelpaze t\u00fcr\u00fc vard\u0131r. Bunlar aras\u0131nda, m\u00fccevherli olanlar, murassa<\/em> kulplar ve beyaz ku\u015f t\u00fcyleri \u00f6zellikle imparatorluk saray\u0131 i\u00e7in yap\u0131lm\u0131\u015ft\u0131 (Saray-\u0131 H\u00fcmayun<\/em>) ve mahkemenin \u00fcst d\u00fczey \u00fcyeleri.<\/p>

Osmanl\u0131 saray\u0131nda yelpazeler yaln\u0131zca serinlemek i\u00e7in de\u011fil, ayn\u0131 zamanda zarafeti, sosyal stat\u00fcy\u00fc ve hatta gizli ileti\u015fimi ifade etmek i\u00e7in de kullan\u0131l\u0131rd\u0131. B\u00fcy\u00fck t\u00fcyl\u00fc yelpazeler, padi\u015fahlar\u0131 serinletmek i\u00e7in hizmet\u00e7iler taraf\u0131ndan ta\u015f\u0131n\u0131rken, daha k\u00fc\u00e7\u00fck, katlan\u0131r yelpazeler saray kad\u0131nlar\u0131 i\u00e7in zarif ki\u015fisel aksesuarlar olarak kullan\u0131l\u0131rd\u0131.<\/p>

Genellikle alt\u0131n, g\u00fcm\u00fc\u015f, fildi\u015fi ve de\u011ferli ta\u015flarla s\u00fcslenen bu yelpazeler, kuyumcular ve ah\u015fap oymac\u0131lar\u0131 taraf\u0131ndan incelikle i\u015flenerek, g\u00fczel sanatlar ve zanaatk\u00e2rl\u0131\u011f\u0131n bir araya getirilmesiyle yarat\u0131lm\u0131\u015ft\u0131r. Ayr\u0131ca sosyal ortamlarda ve tiyatro g\u00f6sterilerinde gizli bir ileti\u015fim arac\u0131 olarak da kullan\u0131l\u0131rlard\u0131.<\/p>

G\u00fcn\u00fcm\u00fczde Osmanl\u0131 saray yelpazeleri, k\u00fclt\u00fcrel miras\u0131n bu hassas y\u00f6n\u00fcn\u00fc koruyup yans\u0131tan m\u00fczelerde sergilenmektedir.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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H\u00fcrrem Sultan (1500 \u2013 1558)\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t
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Kaligrafi Portre
Bu kaligrafi portre, H\u00fcrrem Sultan'\u0131 tasvir ediyor. As\u0131l ad\u0131 Roxolana olan ve Anastasia\/Aleksandra Lisowska olarak da bilinen H\u00fcrrem Sultan, Polonya (g\u00fcn\u00fcm\u00fczde Ukrayna) k\u00f6kenliydi. Kanuni Sultan S\u00fcleyman'\u0131n e\u015fi ve Osmanl\u0131 tarihinde resmi olarak Haseki Sultan unvan\u0131n\u0131 ta\u015f\u0131yan ilk kad\u0131nd\u0131. Y\u00fckseli\u015fi, "Kad\u0131nlar Sultanl\u0131\u011f\u0131" olarak bilinen d\u00f6nemin ba\u015flang\u0131c\u0131n\u0131 i\u015faret ediyordu.

<\/p>

H\u00fcrrem Sultan, devlet i\u015flerinde etkili bir rol oynad\u0131. Saraydaki g\u00fcc\u00fc sayesinde sadece harem d\u00fczenini de\u011fil, ayn\u0131 zamanda d\u0131\u015f siyaseti de \u015fekillendirdi. \u00d6zellikle Sadrazam \u0130brahim Pa\u015fa'n\u0131n g\u00f6revden al\u0131nmas\u0131ndaki rol\u00fcyle hat\u0131rlan\u0131r.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Eserin \u0130ngilizcesini dinleyin.<\/p>

Eseri T\u00fcrk\u00e7e dinleyin.<\/p>

https:\/\/www.ritussultanahmet.com\/wp-content\/uploads\/2025\/11\/Hurrem-Sultan_TR_muzik.mp3<\/a><\/audio><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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sanat eserlerini ke\u015ffedin<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/path><\/svg>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t1. Kat<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/path><\/svg>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t3. Kat<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t<\/path><\/svg>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t4. Kat<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t
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Zaman\u0131n Ruhuna Dokunmak<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\t\u0130smail Acar ile\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

3rd Floor Female Portraits, Rituals, Hookah Culture The Ottoman Fan Ottoman Hookah Ottoman Princesses Female Portraits, Rituals, Hookah Culture, and the Elegance of the Fan in the Ottoman Palace The Ottoman palace functioned as a space where grace and symbolism […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":1192,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-1528","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ritussultanahmet.com\/tr\/wp-json\/wp\/v2\/pages\/1528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ritussultanahmet.com\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ritussultanahmet.com\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ritussultanahmet.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ritussultanahmet.com\/tr\/wp-json\/wp\/v2\/comments?post=1528"}],"version-history":[{"count":77,"href":"https:\/\/www.ritussultanahmet.com\/tr\/wp-json\/wp\/v2\/pages\/1528\/revisions"}],"predecessor-version":[{"id":2979,"href":"https:\/\/www.ritussultanahmet.com\/tr\/wp-json\/wp\/v2\/pages\/1528\/revisions\/2979"}],"up":[{"embeddable":true,"href":"https:\/\/www.ritussultanahmet.com\/tr\/wp-json\/wp\/v2\/pages\/1192"}],"wp:attachment":[{"href":"https:\/\/www.ritussultanahmet.com\/tr\/wp-json\/wp\/v2\/media?parent=1528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}